Box Office – Oklahoma!
Oklahoma!
Feb 3 – Mar 4, 2012
The musical that changed everything. A remarkable cast and an extraordinary collaboration with renowned choreographer Donald Byrd and Spectrum Dance Theatre bring this classic to vibrant life.
Oklahoma! runs 2 hours and 45 minutes including intermission.
Music By: Richard Rodgers
Book & Lyrics By: Oscar Hammerstein II
Directed By: Peter Rothstein
Media Response to Oklahoma!
Provocative 'Oklahoma!' hits 5th Avenue stage
"Byrd's big dance numbers — the "Kansas City" clog-a-thon, the jolly hoedown to "The Farmer and the Cowman" and the lurid sexual (and here racial) nightmare of Laurey's dream ballet — are the showstoppers they oughta be."
-Misha Berson, The Seattle Times
BWW Reviews: OKLAHOMA at the 5th Avenue Theatre
"Eric Ankrim is a completely lovable goofball as Curly and has a powerhouse voice to boot. Alexandra Zorn matches the strength of his character and voice note for note and the two have amazing chemistry together. Kirsten Delohr Helland is hilarious as the overly amorous Ado Annie and forms a perfect love triangle with the love struck but dim Will Parker (Matt Owen) and the scheming Ali Hakim (Daniel C. Levine). Kyle Scatliffe as the sociopathic Jud turns in one of the subtlest yet still dangerous performances of the role I think I’ve seen. And Anne Allgood as Aunt Eller may seem a little young for the role but still manages it with spunk and vigor and remains a force to be reckoned with."
- Jay Irwin, broadwayworld.com
Theater Review (Seattle): Oklahoma! by Richard Rodgers and Oscar Hammerstein II at the 5th Avenue Theatre
"The 5th’s new staging of the classic is an ambitious, bracing take on the fully integrated musical."
- Dusty Somers, blogcritics.org
A Review of the 5th Avenue Theater’s Oklahoma! It’s “wonderfully disconcerting.”
"Oklahoma’s set design, lighting, and staging are mesmerizing. The opening scene’s use of framing and perspective clearly articulates that the audience is about to be drawn into an experience. I am repeatedly awed by how 5th Avenue productions succeed in both spectacle and simplicity."
- Doug Bursch at KGNW, Fairly Spiritual, and The Moderate Voice andAuburn-Reporter
"Oklahoma!" at The 5th Avenue is a bit Problematic
"The cast is largely excellent with a terrific lead performance by Eric Ankrim as Curly, who emphasizes the charm and humor of the character…his Curly is so adorable, you don’t understand why Laurey is so resistant to his charms."
- Michael Strangeways, Seattle Gay Scene
A Rousing “Oklahoma!” at the Fifth Avenue Theatre
"Kirsten deLohr Helland almost steals the show as the delightful, ditzy Ado Annie and her rendition of "I Cain't Say No" breathes new life into one of the best-known songs in the musical theater canon."
- Alice Kaderlan, Seattle PI
Race adds new angle to 5th Avenue Theatre's production of Oklahoma!
"The singers are in good voice, and the innovative “dream ballet” at the end of Act One is strong."
- Gillian Gaar, Seattle Pop Culture Examiner at Examiner.com
7 Reasons You Need to See Oklahoma! at 5th Avenue Theatre
"Kyle Scatliffe’s performance of “Lonely Room.” More opera than musical, it’s the most captivating, and, strangely, most touching performance of the night – and it may permanently change perceptions of this classic story’s antagonist."
-Bond Huberman, Seattle Magazine
Opening Nights: Oklahoma! We have some issues with it.
"And the chorus' sonic grandeur in the title anthem, since the show's 1943 premiere one of the genre's most thrilling, was a genuine goosebump/tear-up moment."
-Gavin Borchert, The Seattle Weekly
Theater Review: “Oklahoma!” at The 5th Ave. Theatre
"Teens will be best suited intellectually to appreciate the importance of Oklahoma! in American entertainment history, and emotionally to process some difficult elements in an otherwise impeccably enjoyable show."
-Kris Collingridge, Parent Map
Oklahoma: A daring new read on an old classic
"Whatever the revisionism of this new production, the show’s timeless excellence remains in its memorable score."
-Spider Kedelsky,Crosscut.com
Oklahoma!‘s Kicks are as High as, Well, You Know
" It is, however, in the “dream ballet” sequence at end of Act II, that we see Byrd’s signature most clearly. Overtly balletic, the dancing in the scene embodies Byrd’s telltale mixture of humor and darkness, sexuality and violence (especially when Laurey is dragged by Jud across the stage as his conquest). It’s classic Byrd: beautiful with a pulse of malevolence that reminds us that not all is pretty on the prairie."
-Scott Garrepy, The Sunbreak
You Cain’t Say No… to Roger and Hammerstein’s Oklahoma!
"Overall, the dances, in my opinion, were the strength of the show, and my only regret is that there weren’t more of them. Another strength of the show lies within the superb acting that brings this wide array of characters to life to create a multi-faceted story.
-Arielle Gervasi, Seattle Fine Arts Examiner at examiner.com
‘Oklahoma’s’ Eric Ankrim overcomes paralysis to sing again!
"Those who have already seen 5th Avenue’s new mounting of Oklahoma and experienced Eric Ankrim’s aw-shucks adorable Curly would never guess that just over a year ago he wasn’t able to breathe on his own, and faced a months-long rehab to be able to even walk again!"
-Miryam Gordon, Culture Mob
Oklahoma, where the wind comes rushing down the plain!
"When the very competent orchestra starts the overture, I get the ususal sappy grin on my face that stays there for the whole production. When Curly begins singing, “Oh, what a beautiful morning, oh, what a beautiful day!” I know we are in for a beautiful ride on the high plains."
-Peg Doman, Northwest Adventures:
Racial Profiling: The Troubles and Triumphs of Oklahoma!
"But the show really shines in its ensemble numbers, with a large cast delivering the extraordinary vocal performances a Richard Rodgers score demands."
-Goldy, The Stranger
On the Aisle: 'Oklahoma' staging is a bit odd
"Who knew the "Kansas City" number was such a show-stopper? "
-Dewey Mee, Daily Record
An Offbeat Oklahoma! Kicks up a Ruckus at the 5th Avenue
Ian Eisendrath's musical direction is surely behind the vocalist's fine work, as well as the stunning sound of a wonderfully large orchestra. Matthew Smucker's scenic designs qualify as high, wide and handsome, as do Tom Sturge's pristine lighting design and Lynda L. Salsbury's savory costumes.
-David-Edward Hughes, Talkin Broadway
5th Avenue's "Oklahoma!" causes a stir: Part 1
"Who knew that a musical that is almost 70 years old could cause such a stir in 2012?"
-Jeffrey Totey, Seattle Christian Pop Examiner, examiner.com
Oklahoma! in Color
"...thanks to the brilliantly, violently physical choreography of Spectrum Dance Theater’s Donald Byrd."
-Kathryn Robinson, Seattle Met
Is "Oklahoma!" racist?
"To me the casting adds a dimension of interest and complexity to the musical, a musical I may have seen a few too many times."
-Tom Tangney, mynorthwest.com
The American Classic, 'Oklahoma' at the 5th Ave Theater becomes a statement of Racism!
"Donald Byrd's choreography pays fond tribute to the Agnes de Mille folkloric toe-tappers, and ballet, from the original 1943 production, but Byrd also adds vital, clever steps."
-MK Scott, outviewonline.com
Responding to the Controversy
5th Avenue Theater Responds to Controversy Over Musical "Oklahoma!"
-Candace Brown, The Goodlife Northwest
Response from “Oklahoma!” inspires dialogue on race in arts
-KOMO Communities
5th Avenue Theatre Announces Panels to Discuss Race in its Production of OKLAHOMA
-Broadwayworld Seattle
The 5th Avenue’s OKLAHOMA! Delves Into Deeper Issues of Race
-CBS Local
5th Avenue Theater Responds to Controversy Over Musical "Oklahoma!"
-Good Life Northwest
5th Avenue Theater Responds back to Re-views of Racism in 'Oklahoma'!
-OUTview Online

Parental Guidelines
Rated PG
Adult Language
Almost none, except a couple of "hells" and "damns."
Violence
Jud fires a gun at Curly, but only hits the ceiling of the smokehouse. Curly responds by shooting a bullet through a knothole in Jud's wall.
Jud, who is attracted to Laurey and jealous of Curly, reminds Curly about the Bartlett family, who died in a fire. He claims to have talked to their hired hand, who "was stuck on the Bartlett girl and he found her in the hayloft with another feller… It tuck him weeks to get all the kerosene, buying it at different times."
The ranchers and farmers begin fighting during "The Farmer and the Cowman" number, and Aunt Eller fires a gun to bring it to a stop. Ado Annie and Gertie get into a brief fight when Will flirts with Gertie.
One character is killed in a knife fight at the end of the second act.
Sexual References
Will displays the "little wonder," a cylindrical peep-show device, to the farmhands. Aunt Eller, who grabs it, sees "a girl in pink tights" and then is shocked when the picture changes. Will also sings about a girl he saw at a "burl-le-cue" (burlesque) show in Kansas City. He thought she was "padded from her shoulder to her heel / But later in the second act when she began to peel / She proved that everythin' she had was absolutely real!"
Ado Annie confesses that she has trouble playing hard to get: "For a while I ack refined and cool / A-settin' on a velveteen settee / Nen I think of that ol' golden rule / And do for him what he would do for me!"
Curly comments about the postcards tacked on Jud's wall: "That's a naked woman, ain't it? Plum stark naked as a jaybird. No. No, she ain't. Got a couple of thingumbobs fastened on to her."
In a fantasy sequence, Laurey dreams of marrying Curly, only to find her groom is Jud. Jud starts to dance with her, but is distracted by three dance hall women, representing the postcards on his wall, who perform a bawdy dance.
Drugs/Alcohol
None

Plan Your Visit
Whether this is your first visit to The 5th Avenue Theatre or your 50th, we want to ensure that you enjoy every moment. If you have any questions about the theater accommodations or services, please call 206-625-1900 or e-mail info@5thavenue.org.
Performance Run Time
Oklahoma! runs 2 hours 45 minutes total.
Act 1: 90 Minutes
Intermission: 20 Minutes
Act 2: 55 Minutes
Arrival Time
Productions begin promptly, so please arrive at least 15 minutes early. Doors open 45 minutes before the show and seating begins 30 minutes before the curtain.
Late Seating
Patrons arriving late will be seated at the first suitable pause in the performance in the least disruptive location. Following intermission, an usher will help you find your seat.
Weather
All performances will take place as scheduled, regardless of weather conditions.
Children
Children under four years of age, including babes in arms, will not be admitted. 5th Avenue productions are generally suitable for ages 8 and above. Complimentary booster seats are available at the Coat Check.
Some shows deal with mature themes and may not be appropriate for all children. For information on whether a particular show is suitable for your child, please see the Parental Guidelines on the production pages of this website.
Emergency Contact
Please leave the following information with your sitter or service, so we can quickly locate you in the event of an emergency:
Theatre Coat Check phone: 206-625-1294
Your seat location: aisle, section, row, and seat number
Coat Check & Assistive Devices
Complimentary Coat Check is located in the lobby next to Aisle 3. You may check any item you don’t wish to carry into the theater. Booster seats and Braille playbills are available at no charge. Binoculars may be rented for $5.00.
Food & Drinks
Refreshments are available for purchase on both levels of the lobby before the performance and during intermission. Food and drinks, except for bottled soft drinks and water, are not permitted inside the auditorium.
Ticket Exchanges
You may exchange your tickets, if you do so 24 hours or more prior to your scheduled performance date. Subscribers may exchange tickets for free. Single-ticket buyers are charged an exchange fee. Please note: Tickets are non-refundable.
You may also donate your tickets back to the non-profit 5th Avenue Theatre and receive a donation receipt for your income taxes. Please call 206.625.1900 prior to your performance to arrange a ticket donation.
Lost Tickets
If you lose or forget your tickets, please call 206-625-1900 or 888-5TH-4TIX for a replacement. You may pick up your tickets at the Box Office on the day of the show.
Third-Party Tickets
We strongly discourage patrons from purchasing tickets through outside vendors. Tickets bought from scalpers, brokers or by other third-party means may be counterfeit or inadmissible, and they are often grossly overpriced. These purchases do not benefit the performers, producers or The 5th Avenue Theatre. Purchasing directly from the 5th Avenue Theatre is your best bet for best seats and best available prices.
Cameras & Recorders
The use of cameras and audio recording equipment is strictly prohibited. You may leave these items at the Coat Check.
Smoking Policy
Smoking is not allowed in any part of the theater nor within 25 feet of the theater entrance.
Firearms Policy
No firearms of any kind are allowed in any part of the theater.
Ask an Usher
If you experience any discomfort during a performance, an usher or the house manager will be glad to assist you.
ERIC ANKRIM (Curly)

Ankrim couldn't be more excited for a show or a role than this one. Previous 5th Avenue credits include: Into the Woods, The Rocky Horror Show, Miss Saigon. Seattle credits include: The Time of Your Life, Rejoice! (Seattle Rep); Annie, The Secret Garden, Girl of My Dreams, The Gypsy King (Village Theatre); A Christmas Carol (ACT), Peter Pan (Seattle Children's Theatre); Dr. Horrible's Sing-a-Long Blog (Balagan Theatre). Upcoming: First Date, at ACT in collaboration with The 5th. Thanks to Bill and David for taking this chance on me, and eternal love to my wife and family.
ALEXANDRA ZORN (Laurey)

Zorn is overjoyed to be making her 5th Avenue debut as Laurey in Oklahoma! Regional/NY: Maria in West Side Story (Gateway Playhouse), Narrator U/S in Joseph...Dreamcoat (Arkansas Repertory Theatre), and Katie in VolleyGirls: The Musical! (Industry Reading). Huge thanks to Luedtke and the awesome creatives at the 5th! Enormous amounts of love to her incredible family and friends. (Look, Mike Miller!) 1st Corinthians 2:9.
KIRSTEN deLOHR HELLAND (Ado Annie)

Helland is thrilled to be making her 5th Avenue main stage debut! Recently: Spring Awakening (Balagan), Lizzie Borden (Village), Jesus Christ Superstar (Village), New Voices (Contemporary Classics), Rosie the Riveter! (AMT - 5th Avenue), The Pajama Game (Seattle Musical Theatre), My Funny Valentine (5th Avenue). Up next: Titanic and Rent (5th Avenue) Love and gratitude to E, J, B, M and, of course, to David and Bill.
DANIEL C. LEVINE (Ali Hakim)

Broadway and Broadway national tours: Little Shop of Horrors (The Dentist), The Rocky Horror Show, Mamma Mia!, Jesus Christ Superstar (Tony Nom. Best Revival), Chicago (Mary Sunshine), Les Misérables (Marius), Tommy (Cousin Kevin). Other NYC credits: Babes In Arms, The Day Before Spring, The Gorey Details, La Gran Scena, Naked Boys Singing (original company). 5th Avenue: Guys and Dolls (Nathan Detroit), Company (Paul), Joseph…Dreamcoat (Canaan Days). Education: Brandeis University, Tufts University School of Dental Medicine.
MATT OWEN (Will Parker)

Owen is thrilled to be performing on The 5th Avenue stage for the 12th time! Owen has previously been seen at The 5th in On the Town (Chip), Mame (Older Patrick), Sunday in the Park… (The Soldier) and Hello, Dolly! (Ambrose). Owen is a graduate from the Boston Conservatory. Much love to his family for their constant love and support. Many thanks to David and Bill!
ANNE ALLGOOD (Aunt Eller)

5th Avenue credits include Candide, A Christmas Story, Company, Gypsy, The Secret Garden, Memphis, Sunday in the Park with George, and national tours of Parade and Beauty and the Beast. Other tours: Urinetown, Evita and Floyd Collins. Broadway: The Most Happy Fella, Carousel, Beauty and the Beast, The Sound of Music, and Imaginary Friends. Allgood has appeared in starring roles at every major theater in Seattle, notably as Mary in Mary Stuart (among numerous others) at ACT; Bad Dates (among others) at Seattle Rep, Cymbeline at Intiman, and several shows at SCT.
KYLE SCATLIFFE (Jud)

Scatliffe, baritone, 25, was born in Washington, D.C., and now resides in Westwood, N.J. He studied theatre at The American Musical and Dramatic Academy, AMDA, in New York City, where he recently graduated, March 2010. Under the guidance of his voice teacher, Jacklyn Schneider, DMA, he entered the Lotte Lenya Competition, winning a Lys Symonette Award. Recently, he has enjoyed success working for Disney Cruise Line, performing Mereb in Aida, Marty in Dreamgirls at the Arts Center of Coastal Carolina and in the world premiere of A Christmas Carol: The Concert with the Boston Symphony Orchestra.
ALLEN FITZPATRICK (Andrew Carnes)

Broadway: Les Misérables, Damn Yankees, Driving Miss Daisy, 42nd Street, Sweet Smell of Success, The Scarlet Pimpernel, Gentlemen Prefer Blondes, Passion, Memphis. 5th Avenue: Sweeney Todd ("Sweeney"), Cinderella, Candide, On The Town, Sunday in the Park, Cabaret, Memphis, Into The Woods. National tours: Aspects of Love, Six Degrees of Separation, Guys & Dolls, Whistle Down the Wind, Sunset Boulevard (as "Max"). Artistic Director, Icicle Creek Theatre Festival. www.allenfitzpatrick.net
DAVID PICHETTE (Ike Skidmore)

Pichette was last seen at The 5th in Candide, in the double role of Voltaire and Dr. Pangloss. Previously at The 5th, he has performed John Adams in 1776, Higgins in My Fair Lady, and Mr. Apopolous in Wonderful Town. He co-authored, with Bob Wright, an adaptation of Double Indemnity which just completed a successful run at ACT Theatre. His most recent appearance onstage was playing Scrooge in A Christmas Carol at ACT.
SONYA MEYER (Gertie Cummings, U/S Laurey)

For this two-time 5th Avenue High School Musical Theater Award winner, this debut is a dream come true! An Oklahoma City University graduate and improv enthusiast. Recent favorites: Trails (Amy), Die Fledermaus (Adele), Miser (Elise). Up next: First Date! Big thanks to her parents and the whole 5th staff! www.sonyameyer.com
JOSH SPELL (Dream Curly)

Spell is from Beaumont, Texas. He trained at the School of American Ballet and danced with the Pacific Northwest Ballet for ten years. He currently is a full time student at Cornish.
KARA WALSH (Dream Laurey)

Walsh began her training under Arlene Begleman and Robert Maiorano. She has studied with Graciela Kozak, Elizabeth Parkinson, and Mary Ann Lamb, and has worked with choreographers Donald Byrd, Jason Jordon, Jacqulyn Buglisi, and Susan Misner.
DONALD JONES JR. (Dream Jud)

Graduate of Northwestern State University of Louisiana. Training: The American Dance Festival, and The New Orleans Ballet of Louisiana Academy. Member of the 2010-11 national tour of The Color Purple choreographed by Donald Byrd. Member of Spectrum Dance Theater.
JARED MICHAEL BROWN (Ensemble, U/S Curly, Fight Captain)

Seattle: Cinderella, Saving Aimee, A Christmas Story, Journey West and The Best of Northwest Bookshelf (5th Avenue Theatre), Iron Curtain (Village Theater). This one's for you, Stephanie.
BLAINE BOYD (Ensemble)

5th Avenue debut! Credits: Jekyll & Hyde, Baggy Pants Burlesque, The Light in the Piazza, and 42nd Street. Love and thanks to Mom and Dad.
JEROBOAM BOZEMAN (Ensemble)

Training: The Joffrey Ballet School and Dance Theatre of Harlem. Past member of the Philadelphia Company Philadanco. Film and TV: Step Up 3-D, So You Think You Can Dance (Top 36). Member of Spectrum Dance Theater.
TY ALEXANDER CHENG (Ensemble)

Cheng is in his sixth season with Spectrum (principal artist). He began his training at the Alvin Ailey School of Dance. He danced with MOMIX Dance Theater and Balance Dance Theater. 5th Avenue: West Side Story and On the Town. Seattle Opera: Julius Caesar and Aida.
ZANE CIMINO (Ensemble)

Cimino started his dance training in 2010 at Spectrum Dance Theater's School. He just returned from performing in Ballet Chicago’s Nutcracker. He wants to thank his friends, family, and PB for all their love and support. Member of Spectrum Dance Theater.
DEREK CRESCENTI (Ensemble)

Crescenti graduated from University of Michigan with a BFA in Dance and received the 2011 Earl V. Moore Award in Dance. He has worked with Daniel Gwirtzman and Nejla Yatkin (NYC), and Tatiana Baganova (the ADF). Member of Spectrum Dance Theater.
JADE SOLOMON CURTIS (Ensemble)

Curtis is in her first season with Spectrum. She graduated in 2008 from Southern Methodist University. Under the direction of Leonard Meek and James “Buster” Grant, she performed with Opus Dance Theater and with Alison Chase Performance. Member of Spectrum Dance Theater.
JEANNETTE d'ARMAND (Ensemble)

Credits: Cirque du Soleil’s Mystére, 5th Avenue’s Sweeney Todd and The Sound of Music, Village Originals, Balagan Theatre’s Spring Awakening. Founding member of The Daffodils. BFA/NYU. Her album Stage Road can be found at www.jeannettedarmand.com.
SARAH ROSE DAVIS (Ensemble)

5th Ave: A Christmas Story (original cast recording) Guys and Dolls, Cinderella. Regional: The Yellow Wood, Zanna, Don't!. Next up Damn Yankees! Lots of love to Momsie and Popsicle.
KEVIN DOUGLASS (Ensemble)

Recent credits: Porgy & Bess (Seattle Opera), Black Nativity (Intiman), Seussical (Horton, Northwest Savoyard’s), Rent (Tom Collins, TMP). Studied performance at Boston Conservatory and Berklee School of Music. Thanks to family, friends, Karen, and T.J.
MARY JO DuGAW (Ensemble)

Leading roles: Village (Times Footlight Award - Kate/Lilli, Kiss Me, Kate), 5th Avenue, ACT, Off-Broadway. Concert soloist: Seattle Symphony, NW Sinfonietta, numerous NW orchestras and choirs. Television: ABC's Stephen King miniseries, Rose Red. www.maryjodugaw.com.
ERIC ESTEB (Ensemble, Dance Captain)

Esteb is excited to be back for his third show with 5th Ave, and will be returning this spring for Damn Yankees. When not dancing, he teaches flight at Galvin. Love to Tasha.
KASSANDRA HADDOCK (Intern)

Haddock is delighted to be making her 5th Avenue Theatre debut. Currently a freshman at PLU, she was recently seen in A Midsummer Night’s Dream.
MALLORY KING (Ensemble)

5th Avenue debut! Training: PNB, BYU’s MDT program. Favorite credits; Dorothy, Wizard of OZ; Olive, Spelling Bee (CST). Thanks to The 5th for this opportunity, and to my supportive family and husband.
JONATHAN PAUL LEE (Slim, Ensemble)

Lee is thrilled to be back on the 5th Avenue stage. He has also been seen recently at Village Theatre and Seattle Opera. Special thanks to his family, friends, and Cat.
VINCENT MICHAEL LOPEZ (Ensemble)

Lopez began his training at The School of Ballet Arizona. He received The Oprah Winfrey Scholarship to study at The Ailey School. He has danced with Ballet Austin II and Wideman/Davis Dance, which toured internationally. Member of Spectrum Dance Theater.
AMBER NICOLE MAYBERRY (Ensemble/ Assistant Dance Captain)

Washington, DC. Training: Washington School of Ballet, Dance Theater of Harlem Residency. BFA, Suny Purchase. Concert: Washington Reflections, Elisa Monte Dance, Wideman/Davis Dance. 5th Avenue: On The Town. Member of Spectrum Dance Theater.
SHADOU MINTRONE (Ensemble)

Mintrone graduated from the University of the Arts in Philadelphia, PA, with a BFA in jazz performance dance. Performed with Brian Sanders, JUNK and Zane Booker, SLJ Arts Initiative, and Danza en el Metro in Santiago. Member of Spectrum Dance Theater.
KATE MONTHY (Ensemble)

A Tacoma native, Monthy has trained at Rosella Hightower’s Ecole Superior de Danse in France and Tacoma City Ballet. She has danced with the Eryc Taylor Dance Company and Zoe | Juniper. Member of Spectrum Dance Theater.
CHRISTIE MURPHY (Intern)

Murphy is thrilled to be in Oklahoma! Murphy received her vocal performance BFA from UT El Paso. Love and thanks to her family and Chuck.
BRILEY NEUGEBAUER (Ensemble)

A Woodinville native, Neugebauer studied dance under Eva Stone. Graduated Summa Cum Laude from the School of Dance, University of Arizona in Tucson in 2011. Company apprentice in Spectrum’s Academy Program for developing dancers.
DANIEL OAKDEN (Cord Elam, Ensemble)

Oakden is excited to return to The 5th Avenue stage after making his debut with the company in their recent production of Guys and Dolls.
BEN SASNETT (Intern)

Sasnett performed leads in opera, oratorio, and musical theater in America and Europe this year. He is a musical theatre BFA student at Central Washington University.
CAROLYN WILLEMS VAN DIJK (Ensemble/)

Willems Van Dijk is happy to return to The 5th Avenue after appearing in Cinderella. She received her BFA from the University of Oklahoma, where the wind really does come sweeping down the plain. Thank you, Harrison.
NICHOLAS HAYES (Children's Ensemble)

Hayes, age 9, is thrilled to debut at The 5th. Credits: Scrooge: The Musical (Tiny Tim) and Grease at Capital Playhouse. He enjoys outdoor activities.
CAMERON RENEE WASHINGTON (Children's Ensemble)

Washington is thrilled to be returning to the 5th! She was recently seen in Hairspray and A Christmas Story. Thanks to M&D!
DeCHE WASHINGTON (Children's Ensemble)

Washington is excited to perform at The 5th Avenue for the third time! Thank you God. Thanks to Mom, Dad, and family for their support.
SPECTRUM DANCE THEATER
Spectrum Dance Theater was founded by Seattle dancers in 1982 to make dance more accessible to diverse communities. Under Donald Byrd’s visionary artistic leadership since 2002, Spectrum has emerged as a company of regional and national significance. The organization has attracted world-class dancers and produced thrilling and challenging works in contemporary dance to critical acclaim. SDT ignites audiences thanks to the ambitious artistic agenda of Donald Byrd, whose appetite to explore the arts knows no boundaries. The enfant terrible of the New York dance scene in the 1980s and ‘90s achieved international visibility for the creation of his Harlem Nutcracker and for his Tony-nominated choreography for the Broadway smash, The Color Purple. No less ambitious in the 21st century, Byrd leads his company through programming themes that give audiences insight into his far-ranging artistic ambition.
The School at Spectrum Dance Theater reflects the rigorous artistic standards set forth by Donald Byrd, exemplified by the motto “Dance for All.” The School offers classes in a variety of styles from ballet to contemporary, at all levels, and to all ages. For more about Spectrum Dance Theater performances and programs, visit www.spectrumdance.org.
RICHARD RODGERS & OSCAR HAMMERSTEIN II (Music, Book & Lyrics)
After long and highly distinguished careers with other collaborators, Richard Rodgers (composer, 1902-79) and Oscar Hammerstein II (librettist/lyricist, 1895-1960) joined forces in 1943 to create the most consistently fruitful and successful partnership in American musical theatre. Oklahoma!, the first Rodgers and Hammerstein musical, was also the first of a new genre -- the musical play. It blended Rodgers’ sophisticated style of musical comedy, which he had perfected in a 25-year partnership with lyricist Lorenz Hart, with Hammerstein’s innovations in operetta, conceived in collaboration with such composers as Sigmund Romberg, Vincent Youmans, Rudolf Friml and Jerome Kern. Rodgers and Hammerstein followed Oklahoma! with Carousel (1945), Allegro (1947), South Pacific (1949), The King and I (1951), Me and Juliet (1953), Pipe Dream (1955), Flower Drum Song (1958) and The Sound of Music (1959). The team also wrote one musical for the movies, State Fair (1945; adapted to the stage in 1995), and one for TV, Cinderella (1957). Collectively, Rodgers & Hammerstein musicals have earned 26 Tony Awards, two Pulitzer Prizes and two Grammy Awards.
PETER ROTHSTEIN (Director)
Rothstein is the Founding Artistic Director of Theater Latté Da, a Twin Cities-based company dedicated to new musical theater. Recent credits include: Guys and Dolls for The 5th, M. Butterfly and Private Lives for the Guthrie Theater; Cosi fan tutte for the Minnesota Opera, Doubt for Ten Thousand Things, and record-breaking productions of Annie and The Wizard of Oz for the Children’s Theatre Company in Minneapolis. He is the creator of award-winning All Is Calm: The Christmas Truce of 1914. Rothstein has been awarded Minnesota’s Artist of the Year, Theater Artist of the Year and the Best Director in the Twin Cities. He has received grants from the National Endowment for the Arts, Theater Communications Group, the Minnesota State Arts Board and the McKnight Foundation. He holds a BA music and theater from St. John’s University and an MFA in directing from University of Wisconsin - Madison.
DONALD BYRD (Choreographer, Spectrum Artist Director)
Byrd became artistic director of Spectrum Dance Theater in 2002. Before Spectrum, he was artistic director of Donald Byrd/The Group, his critically acclaimed company based in Los Angeles and New York. He has created more than 80 dance works, including works for the Alvin Ailey Company, the Dayton Contemporary Dance Company, and Philadelphia Dance Company (Philadanco), among others. He has worked with the New York Shakespeare Festival/Public Theater, La Jolla Playhouse, San Francisco Opera, New York City Opera, and The Joffrey Ballet. In 1992, Byrd received the Bessie Award (the contemporary dance world’s highest honor) for The Minstrel Show, and in 2006, he received a Tony nomination for his choreography for The Color Purple. Last year, Byrd received the Mayor’s Arts Award for his sustained contributions to Seattle, and he was selected as one of the first group of Fellows to the American Academy in Jerusalem. Most recently, he received a 2012 Fellowship Award from United States Artists.
IAN EISENDRATH (Music Director)
Eisendrath is the Alhadeff Family Director of New Works and Music Supervisor at The 5th Avenue. He has been Music Director/Conductor for A Christmas Story, On the Town, Sunday in the Park with George, Cabaret, Into the Woods, West Side Story, Company, Sweeny Todd and Miss Saigon. Additional credits include: Associate Music Director, world premier of Disney’s Aladdin; Music Director/Music Supervisor, first national tour of A Christmas Story; Music Director, Cabaret at Theatre Under the Stars, American Musical Theatre of San Jose and the Ordway Center; Guest Conductor, three seasons of The Nutcracker at Pacific Northwest Ballet. University of Michigan graduate.
ROBERT RUSSELL BENNETT (Orchestrations)
(1894-1981)orchestrated more than 300 Broadway musical scores, including Show Boat; No, No, Nanette; Of Thee I Sing; Face the Music; Oklahoma!; Carmen Jones; Finian’s Rainbow; Kiss Me, Kate; South Pacific; The King and I; My Fair Lady; and Camelot. His arrangements for the 1955 film version of Oklahoma! earned him an Academy Award. He also orchestrated and arranged Rodgers’ TV documentary score for Victory at Sea. A classically trained composer, Bennett’s prolific output of original compositions includes symphonies, sonatas, a ballet, a concerto and an opera.
Bennett orchestrated more than 300 Broadway musical scores, including Show Boat; No, No, Nanette; Of Thee I Sing; Face the Music; Oklahoma!; Carmen Jones; Finian’s Rainbow; Kiss Me, Kate; South Pacific; The King and I; My Fair Lady; and Camelot. His arrangements for the 1955 film version of Oklahoma! earned him an Academy Award. He also orchestrated and arranged Rodgers’ TV documentary score for “Victory at Sea.” A classically trained composer, Bennett’s prolific output of original compositions includes symphonies, sonatas, a ballet, a concerto and an opera. 1894-1981.
MATTHEW SMUCKER (Set Designer)
Smucker’s work has appeared locally at The 5th (Candide), Seattle Rep (Circle Mirror Transformation), ACT (Vanities, In the Next Room), Intiman (All My Sons), Seattle Children’s Theatre (Harold and The Purple Crayon), Village Theatre (Jesus Christ Superstar); and nationally at Arizona Theatre Company, Portland Center Stage, San Jose Rep, and Kansas City Rep. Smucker received the 2011 Gregory Award for Outstanding Scenic Design, Seattle Times Footlight Awards in 2003 and 2006, and appeared on The Stranger’s 2011 Genius Awards short list. Smucker teaches at Cornish College and received his MFA from the UW School of Drama.
LYNDA L. SALSBURY (Costume Designer)
Salsbury is delighted to return to The 5th! She has designed more than 600 productions including the Gregory Award-nominated Candide for The 5th Avenue. Previously, Salsbury was the resident costume designer and costume and wardrobe supervisor at The 5th where her designs included West Side Story, Company, Sound of Music, Mame, Wonderful Town, among others, as well as designs for the Adventure Musical Theatre Touring Company. Most recently, she designed Cinderella for the Ordway in St. Paul. Regionally, Salsbury has worked at Capital Rep, the Barter, Portland Stage Company, Berkshire Theatre Festival, Williamstown Theatre Festival, Dorset Theatre Festival, Village Theatre, and others. Salsbury makes her home in Ft. Pierce, Florida.
TOM STURGE (Lighting Designer)
Oklahoma! marks Sturge’s 30th lighting design for The 5th Avenue. Credits include Cinderella, Saving Aimee, Guys and Dolls, Candide, On the Town, Joseph…, Cabaret. Seattle: ACT, Village, Seattle Children's, Spectrum Dance. Broadway: Those Were the Days, Gypsy Passion. NY: The Public, Blue Light, Circle Rep, Circle in the Square, Irish Arts, Lucille Lortel, LaMama ETC. Regional: Huntington Theatre, Papermill Playhouse, Alliance Theatre, Pittsburgh Public, Goodspeed, Cincinnati Playhouse, Walnut Street. Tours: La Cage aux Folles, Dreamgirls, Miss Saigon. Alvin Ailey Dance and Spoleto Opera Festival. Sturge lives in Issaquah with fine artist Istara Freedom and their son Dylan. LTSLighting.com.
KEN TRAVIS (Sound Designer)
Broadway designs: Memphis, The Threepenny Opera, Barefoot in the Park, Steel Magnolias. At The 5th Avenue: Aladdin, Guys and Dolls, Candide, White Christmas, Sunday in the Park with George, Hello Dolly, Memphis, Seven Brides for Seven Brothers, Mame, and Into the Woods. Numerous regional theaters and companies including KC Rep, La Jolla Playhouse, LA CTG, Seattle Rep, Guthrie Theater, Dallas Theater Center, McCarter Theater, Playwrights Horizons, The New Group, NYSF Public Theater, CSC, Signature Theater NYC, SoHo Rep,Vineyard Theater, The Civilians, Mabou Mines, and festivals across Europe and the USA.
MARY PYANOWSKI (Hair & Makeup Designer)
World premieres of Aladdin (make-up design), Catch Me If You Can, Shrek, Lone Star Love, Princesses, Memphis, Hairspray, The Wedding Singer. Twenty-two seasons of 5th Avenue Theatre production designs, including the Ivey Award-winning Cabaret. Design credits for national and international productions of opera, operettas, ballet, theater, and musicals. U.S. wig supervisor Madness of George III tour. Some memorable film and TV credits: Northern Exposure, Orleans, Mr. Holland’s Opus, Rose Red, Diary of Ellen Rimbauer, Assassins, White Dwarf, Book of Stars. IATSE member Local 706 and 488.
GEOFFREY ALM(FIGHT DIRECTOR)
Past credits at The 5th: Aladdin, Candide, Seven Brides…, Pippin. Local and national credits include fight direction at The Old Globe, The Shakespeare Theatre, McCarter Theatre, The Huntington Theatre, Arizona Theatre Co., Kansas City Rep, Shakespeare Santa Cruz, Seattle Children's Theatre, Intiman and Seattle Opera. Alm teaches stage fighting at the UW, Cornish and Freehold, and is a Fight Master with The Society of American Fight Directors.
CHRISTIAN DeANGELIS (Associate Lighting Designer)
Recent ALD Credits: Cinderella, Saving Aimee (5th Avenue); Bonnie & Clyde (Schoenfeld Theatre); Other Desert Cities (Mitzi Newhouse); Grease (Troika Entertainment); Through the Night (Union Square); Bonnie & Clyde (La Jolla Playhouse), Guys and Dolls (Nederlander Theatre); 33 Variations (La Jolla Playhouse). MFA from University of California, San Diego.
FAITH SEETOO (Associate Music Director, Associate Conductor)
Musical Direction: Mamma Mia!, Once On This Island, Threepenny Opera, Lady In The Dark, Godspell, Waiting For Phil (Orson Bean) and Himself (Albert Hague). Assisted: The Phantom of the Opera (Harold Prince), Miss Saigon, The Lion King, A Chorus Line, On The Town, Into The Woods, Company, Cinderella, Sunset Boulevard (Petula Clark), Bombay Dreams, Titanic, A Christmas Story, Whistle Down The Wind, and Vanities: A New Musical. Much love to my beloved buh-nee.
JEFFREY K. HANSON (Production Stage Manager)
Previously at The 5th, Hanson was the production stage manager for Candide, Mame, Hello, Dolly! and White Christmas. He is also the production stage manager at ACT Theatre, where his resume includes over 60 productions since 1990. Other regional credits include productions at Seattle Children’s Theatre, Seattle Repertory Theatre, Intiman and the Arizona Theatre Company.
JESSICA C. BOMBALL (Assistant Stage Manager)
Bomball is proud to have worked on 12 previous 5th Avenue productions including Aladdin, A Christmas Story, Sunday in the Park with George, Irving Berlin's White Christmas, and Sweeney Todd. Regional credits: Seattle Repertory Theatre, ACT Theatre, Intiman Theatre, Village Theatre, Shakespeare Santa Cruz, and Seattle Shakespeare Company.
ERIN B. ZATLOKA (Assistant Stage Manager)
Assistant stage manager: A Christmas Carol, Mary Stuart, The Lieutenant of Inishmore, Rock ‘n’ Roll, and Eurydice among others at ACT. Stage manager: Pilgrims Musa and Sheri in the New World at ACT; Sleuth and Lost in Yonkers at Village Theatre. Love to Greg and Zoey.
























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