The 5th Avenue Theatre is one of the nation’s leading producers and creators of new work, having premiered over 16 original musicals in the past 10 years. A musical cannot be created in a vacuum. Writers need actors, directors, producers, and ultimately an audience to inform their work. A new musical requires dynamic collaboration, time, space, and the freedom to test out radical changes in a safe environment. It can take anywhere from one to more than ten years for a musical to be ready to meet the stage and its first audience because, as Sondheim says, “Musicals aren’t written, they are rewritten.”
The 5th Avenue New Works Program operates year-round to foster the creation of new musicals. From the smallest kernel of an idea to a main stage production, the New Works Program is committed to creating a positive and safe environment that supports the unique needs of each project.
We are dedicated to process-based development, allowing each project to take a unique development path necessary to its full realization. At the 5th Avenue, we craft a specific plan for each project that comes our way, tailored from the following opportunities (or a combination thereof).
At The 5th Avenue, we believe in supporting work from idea through to completion. To that end, we take every chance we can to fully support the pieces we believe in. We are proud to have multiple works under commission includng "'64" by Cheryl West, Ethan D. Pakchar, and Douglas Lyons
A Writers Intensive provides writing teams with artistic support, time and space necessary to achieving their specific goals for their new musical.
An opportunity to hear work read aloud by a group of actors in order to experience and evaluate a new musical in process.
A rehearsal process that allows 29 hours of collaborative interaction between the writers, creative team and a company of actors, culminating in a read and sing through of the material.
An intense developmental process that immerses writing teams in a three-week collaboration with a creative team and company of actors. The Lab provides writers with the time, space and support to take risks and test out significant changes. The process also includes one or more presentations to gather feedback and fuel further work.
First Draft: Raise Your Voice is designed to introduce and nurture new musical theatre writers from traditionally marginalized populations. Across an 18-month cycle the program will shepherd writing teams representing an intentionally targeted community from a simple concept on a page through the completed draft of a show. Each year submissions will be open to a different targeted group. Our 2018-2019 cycle will solicit submissions from teams of womxn, gender non-conforming and non-binary folx.
Submissions should include a short description of a new musical idea that you have yet to write. The 5th will select 10-15 teams from the submissions that will be invited to Seattle for a week-long Story Summit. During the Summit, each team will work with musical theatre industry leaders to develop their concept into a "pitch," inclusive of a story line and two songs. At the end of the Summit, these pitches are presented to a panel of established theatre artists, theater producers and regional theater artistic directors. The panel will select 3-5 teams they recommend to The 5th for a "First Draft Commission." Selected teams will receive guidance in developing their draft over a year long process, culminating in a 29-hour reading.
We will be accepting submissions for First Draft: Raise Your Voice until June 15, 2018. Applications will be reviewed by a committee of womxn and you will hear back from us by July 1, 2018. Our review committee will be announced at a later date. Please find our application below.
If you have any questions, please email Associate Artistic Director Kelsey Thorgalsen at email@example.com.
At this time, we are not accepting unsolicited submissions that are not attached to a producer or agent. If you are a producer or agent, please email script and demo submissions to firstname.lastname@example.org.