The 5th Avenue Theatre is one of the nation’s leading producers and creators of new work, having premiered over 16 original musicals in the past 10 years. A musical cannot be created in a vacuum. Writers need actors, directors, producers, and ultimately an audience to inform their work. A new musical requires dynamic collaboration, time, space, and the freedom to test out radical changes in a safe environment. It can take anywhere from one to more than ten years for a musical to be ready to meet the stage and its first audience because, as Sondheim says, “Musicals aren’t written, they are rewritten.”
The New Works Program operates year-round to foster the creation of new musicals. From the smallest kernel of an idea to a main stage production, the New Works Program is committed to creating a positive and safe environment that supports the unique needs of each project.
The 5th Avenue New Works Program is dedicated to process-based development, allowing each project to take a unique development path necessary to its full realization. At the 5th Avenue, we craft a specific plan for each project that comes our way, tailored from the following opportunities (or a combination thereof).
A Writers Intensive provides writing teams with artistic support, time and space necessary to achieving their specific goals for their new musical.
An opportunity to hear work read aloud by a group of actors in order to experience and evaluate a new musical in process.
A rehearsal process that allows 29 hours of collaborative interaction between the writers, creative team and a company of actors, culminating in a read and sing through of the material.
An intense developmental process that immerses writing teams in a three-week collaboration with a creative team and company of actors. The Lab provides writers with the time, space and support to take risks and test out significant changes. The process also includes one or more presentations to gather feedback and fuel further work.
Ian Eisendrath has been passionate about new works for many years. In his tenure as The Alhadeff Family Director of New Works, he has worked with composers and lyricists including Michael Weiner, Alan Zachary, Rupert Holmes, Thomas Meehan, Brendan Milburn, Valarie Vigoda, Duane Poole, and many others. Under his leadership the New Works Program has created a formalized program for developing musicals at all stages ranging from writers retreats to three-week developmental labs. He has also overseen the creation of the Writers Group, a program committed to supporting teams of musical theater writers in the Pacific Northwest. This season, Eisendrath will act as music director for two 5th Avenue world premiere musicals – Secondhand Lions and A Room with a View – shepherding them through continued development and a mainstage run.
Ian Eisendrath began his tenure as resident music supervisor at The 5th Avenue Theatre in 2004 where he has served as musical director and conductor for many mainstage productions, including Sunday in the Park with George, West Side Story, SweeneyTodd, On the Town, Miss Saigon, Company, Into the Woods, Joseph and the Amazing Technicolor Dreamcoat, and A Christmas Story. Additionally, he has assembled and supervised the orchestra and music staff for all mainstage productions at The 5th Avenue during his residency.
Eisendrath graduated from the University of Michigan in 2003, with a degree in conducting musical theater and choral repertoire. His passion for new work and the development process emerged during his final years of college, when he was music director for multiple projects at the Ann Arbor Festival of New Works. This opportunity led to a relationship with the Banff Centre for the Arts in Canada, where he has served as a music director and dramaturge on multiple new musicals over the past years.
In addition to his work at the 5th Avenue and the Banff Centre, Eisendrath has conducted three seasons of the Pacific Northwest Ballet’s Nutcracker and been the music director for Cabaret at American Theatre of San Jose, Ordway Center in St. Paul, and TheatreUnder the Stars in Houston. He is currently the music director and music supervisor of the national tour of A Christmas Story, which was developed at The 5th Avenue Theatre and played Broadway this holiday season.
Makaela Pollock began working with The 5th Avenue Theatre in 2012. She has served as assistant director on main stage productions of Elf, and Hairspray in Concert, as well as working on New Works projects such as Paint Your Wagon, Cry To Heaven and Beautiful Poison. Additionally she has taught several classes with the Education program.
Pollock received her MFA in directing from the Brown University/Trinity Repertory Consortium in 2008. While studying there she thrived in collaborations with Paula Vogel’s playwriting program, which developed festivals of new plays every year. Her MFA thesis project was adapting and directing a new hybrid musical from Mozart’s & Beaumarchais’s Marriage of Figaro.
In addition to her work at the 5th Avenue, Pollock has directed locally for Seattle Shakespeare Company, Village Theatre, Book-It Repertory, Seattle Public Theatre, and New Century Theatre Company. Other artistic credits include work with Steppenwolf, Writer’s Theatre & Looking glass Theatre in Chicago, Trinity Repertory in Providence, and both Shakespeare Santa Cruz & Summer Repertory Theater in California. She is a regular director and adjunct faculty member at Cornish College of the Arts
At The 5th Avenue, we believe in supporting work from idea through to completion. To that end, we take every chance we can to fully support the pieces we believe in. We are proud to have multiple works under commission:
Book by Duane Poole
Music by Brendan Milburn
Lyrics by Valerie Vigoda
Cry To Heaven
Book by Debrah Neal & Roy Freirich
Music & Lyrics by Matthew Wilder
Book by Marc Acito
Music & Lyrics by Jeffrey Stock
The 5th Avenue Theatre continues its ongoing commitment to the support and development of our rich community of Northwest musical theater writers through the 5th Avenue Seattle Writers Group.
The Writers Group is a two-year program providing six writers the opportunity to attend bi-weekly meetings to share and discuss their work in progress. They also receive staff-level access to 5th Avenue projects, space and equipment, along with a small stipend and a showcase of their work each year.
At the end of the first year, the 5th Avenue New Works Program produces an industry showcase of new material written by teams formed from within the group.
At the end of the second year, the 5th Avenue New Works Program will deepen the collaboration of the writing partnerships formed within the group and will produce a reading of a full-length musical written by each team