Sorry, this show is currently not available online.
Plan Your Visit
Whether this is your first visit to The 5th Avenue Theatre or your 50th, we want to ensure that you enjoy every moment. If you have any questions about the theater accommodations or services, please call 206-625-1900 or e-mail firstname.lastname@example.org.
Productions begin promptly, so please arrive at least 15 minutes early. Doors open 45 minutes before the show and seating begins 30 minutes before the curtain.
Patrons arriving late will be seated at the first suitable pause in the performance in the least disruptive location. Following intermission, an usher will help you find your seat.
All performances will take place as scheduled, regardless of weather conditions.
The 5th Avenue Theatre welcomes children ages 4 and older. Children under 4 years of age, including babes in arms, will not be admitted.
Please leave the following information with your sitter or service, so we can quickly locate you in the event of an emergency:
Theatre Coat Check phone: 206-625-1294
Coat Check, Assistive Devices, and Special Needs
Complimentary Coat Check is located in the lobby next to Aisle 3. You may check any item you don’t wish to carry into the theater. Booster seats, assistive listening headsets, and Braille playbills are available at no charge. Binoculars may be rented for $5.00.
Food & Drinks
Refreshments are available for purchase on both levels of the lobby before the performance and during intermission. Candy and beverages purchased at the lobby concession stand may be brought into the theatre. Beverages must be in a bottle with cap or a theater cup with lid.
Ticket Refunds & Exchanges
You may exchange your tickets if you do so 24 hours or more prior to your scheduled performance date. Subscribers may exchange tickets with no exchange fee. Single-ticket buyers are charged an exchange fee. Please note: Tickets are non-refundable.
If you lose or forget your tickets, please call 206-625-1900 or 888-5TH-4TIX for a replacement. You may pick up your tickets at the Box Office on the day of the show.
We strongly discourage patrons from purchasing tickets through outside vendors. Tickets bought from scalpers, brokers or by other third-party means may be counterfeit or inadmissible, and they are often grossly overpriced. These purchases do not benefit the performers, producers or The 5th Avenue Theatre. Purchasing directly from the 5th Avenue Theatre is your best bet for best seats and best available prices.
Cameras & Recorders
The use of cameras and video or audio recording equipment is strictly prohibited. You may leave these items at the Coat Check.
Smoking is not allowed in any part of the theater nor within 25 feet of the theater entrance.
No firearms of any kind are allowed in any part of the theater.
Ask an Usher
If you experience any discomfort during a performance, an usher or the House Manager will be glad to assist you.
The Hunchback of Notre Dame
The Hunchback of Notre Dame is adapted from the classic novel by Victor Hugo; the music is by Alan Menken, the lyrics by Stephen Schwartz. It tells the story of Quasimodo, the son of an archdeacon’s brother and a gypsy girl, who grows up in Notre Dame cathedral. He is told by Claude Frollo, his uncle and keeper, that he is deformed and ugly and must stay hidden.
Recommended for ages 10 and up.
A couple of “hells” are heard and one “damnation.” The townspeople call Esmerelda a “gypsy whore.”
Jehan brings his pious brother, Claude, a gypsy girl as a birthday gift, which is refused. Jehan and the girl leave together; their illegitimate son, who has a hump on his back, will later be given to Claude, who has risen to the position of archdeacon.
Esmerelda, the gypsy girl, dances before the crowd: Claude Frollo, Phoebus, and Quasimodo are all entranced by her as she sings: “Before we get old / Come feel the heat / Come taste the desire / Feel them within you.”
Frollo offers to teach Esmerelda and save her soul; she is frightened, as she can see his attraction to her. When she resists, he threatens her with arrest if she enters the cathedral again. Frollo then confesses his lust to God, but blames it on the “gypsy witch.”
We see Phoebus seek Esmerelda out and then see them awaken together in the morning, indicating they have become lovers.
Soldiers searching for Esmerelda, who has been accused of witchcraft, seek her out in a brothel that is known to provide help for gypsies.
Claude Frollo considers throwing a child (who has been left in his keeping) into the abyss, but changes his mind.
Phoebus, a soldier back from the front, arrives to join the Cathedral Guard; he sings of the deaths he has witnessed: “I’m far away from battle / the clotting blood and rotting wounds / Of dead and dying men.”
When Quasimodo is named king of the day, the crowd begins to throw objects at him, then to beat him; Frollo refuses to stop them right away, but Esmerelda calls it a halt.
Frollo decides that the gypsy girl he is infatuated with “will be mine or she will burn.” When she is captured, he embraces her and she claws at his cheek to get away.
Frollo slaps Quasimodo after Esmerelda visits, accusing him of “impure thoughts.”
Esmerelda puts a knife to Phoebus’s throat when she thinks he will arrest her; he disarms her, but she elbows him and retrieves her knife.
A character is stabbed in the back (but not killed) when soldiers attempt to arrest Esmerelda.
Claude Frollo’s pleasure-loving brother Jehan is seen drinking in the cathedral.
The archdeacon, Frollo, objects to the annual “Feast of the Fools,” the only time “foreigners, gypsies, and criminals” are allowed to wander the city freely without fear of arrest.
Esmerelda prays when she enters the cathedral for the first time: “Please help my people / The poor and down-trod / I thought we were all / The children of God.”